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Plant’s near-naïve reflections on his sun-kissed introduction to the state’s enchantments adds acres of charm and pathos belying his tender years. The Hollywood hiraeth felt by Page and Plant while ensconced in rural Wales manifested itself in an unadorned love letter to Joni Mitchell and other notable blissed-out dwellers of Laurel Canyon. The whole thing is milky-smooth, almost cockily-relaxed and utterly definitive: an encapsulation of their acoustic abilities. Page’s touch is so light it’s tempting to suspect studio trickery, but no. Originally titled The Boy Next Door, and another fruit of the Bron-Yr-Aur sessions, this bucolic meditation on life and love’s many splendours sparkles in its complacency. Speculation on the gently propulsive rhythm under Page’s percussive acoustic has been whittled down to John Bonham tip-tapping on either a sofa, his knee, or a guitar case. A masterclass in what can be achieved with a quick right hand and an A-minor chord, the ghost of Davey Graham’s Anji hovers nearby, eventually banished by some flamenco flourishes and Bonham’s heads-down heft.Īn early reveal of the band’s beloved light/shade dynamic, Plant’s somewhat random conflation of Tolkien references with the odd tokenistic fair maiden chucked in might not make much narrative sense, but has proved to be a rock radio staple for decades.
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It’s the closest the band ever strayed towards the rustic folk sensibilities of Jethro Tull.įirst heard outside of the folk scene on a Joan Baez album, Page’s sizeable reworking of this Anne Bredon tune is the first airing of Plant’s ‘Baby, baby, baby’ trademark. Sandy Denny’s role of town crier to the people was rewarded by her very own symbol – three inverted triangles – tucked away on the album’s inner sleeve. Lyrically, another mystic mash up of Celtic history, Middle-Earth musings and the fairylands of Albion, Page’s rudimentary mandolin skills effortlessly complement the call-and-response narrative. The top 10 best Beastie Boys songs with classic rock samples.Ozzy Osbourne: We're ending Black Sabbath on a high.I’m A Led Zeppelin Fan – But I Still Wanted Them To Be Found Guilty Led Zeppelin - Stairway To Heaven (Official Audio) remastered from Led Zeppelin IV.Gathering in both pace and intensity as the drama unfolds, the Unledded version makes great use of a hurdy-gurdy: an instrument that predates the song by another few hundred years. Tellingly, there’s no freeing going on in Zep’s version. Mistakenly attributed as a derivative of Leadbelly’s Gallis Pole, the lineage of this unhappy medieval tale of vain noose-bound delay can be plotted centuries back to the English folk song The Maid Freed From The Gallows. John Paul Jones adds acoustic guitar to his Zeppelin CV, his mandolin and bass already driving the track, and Plant’s woman woes take centre stage, again Though undoubtedly leveraged into its high standing due to its relative unavailability – B-side to Immigrant Song in 1970, not reappearing until 1990’s box set - there’s something awe inspiring about a band who can afford to side-line such obvious riches.